Monday, 13 December 2010

Checklist

Attendance for some of you has been rather worrying this term. Whilst the inclement weather and dark evenings haven't helped, you must always check the blog and catch up on any work.
Use the Xmas holidays to ensure your sketch book is up to date. If the following work is not in your sketch book and annotated we will have to assess your suitability for continuing with the course.



F413: Coursework Portfolio
  • Candidates produce a portfolio of work from starting points, topics or themes determined by their centre.
  • The focus is on including work that shows exploration, research and acquisition of techniques and skills.
Your starting points for this term were Texture and Portraiture so you should have two separate sections exploring these themes.

For each you must include evidence of research into other photographers work and your own interpretation of it. All images must be annotated using the guidelines earlier in the blog.
You must make it very clear which are your images by providing the technical info of shutter speed, aperture, and ISO. You should also get into the habit on commenting on the differences these settings make.

As it says above you need to demonstrate an acquisition of techniques and skills so you need to include your darkroom work.
You should also be experimenting with Photoshop, liquifying and layering opacity are good tools to start with.
Even showing the differences in cropping and framing are important and you can do this by printing screen shots of what you have done.

A Christmas Portraiture project is 'Hands', we discussed this in class, for those of you that missed it, think about photographing relatives hands and thinking about the stories behind the jewelry and the lives that have been lived, memories that can be passed down.You can add to your Texture pictures, close ups of baubles on trees are good for depth of field and lighting. Food leftovers, turkey carcasses in a Martin Parr style can also be good.

You took some pictures using the film SLR. We will be developing these in the dark room in January, so if you have access to a film camera (it doesnt have to be SLR), get yourself a film and shoot a reel. Take it to snappy snaps and ask them just to develop the negatives. We can then enlarge and print these negs in the dark room. I have a few spare reels of film if you have difficulty buying them (Jessops and Snappy Snaps do them, you need Ilford, ISO 100, 200 or 400).

You may find it useful to get some of your digital images printed out professionally. Put them on a  memory stick and take to one of the above shops or upload to a site like Snapfish or Photobox. These usually offer discounts for big orders, try and go for matt, with a white border and 7x8, these tend to look better than 6x4.

Thats all folks!
Make sure you take lots of pictures, look at lots of photography sites, print it all out and annotate!


Monday, 6 December 2010

The 10 best photographic portraits Penetrating profiles, from early-20th-century masterchefs to full-on modern celebrities

Kray Twins David Bailey

David Bailey: The Kray twins (1965)

The photographic guv'nor from east London. People have written him off so often but he is still shooting and as irascible as ever. I spotted him underneath a baseball cap recently and asked him how it was all going. "Nobody's using me, but the art world have discovered me!" he said. This picture of the Kray twins, whose gang ran a protection racket in London in the 60s, is classic Bailey: pure white background, no arms or hands, strong shape and form. I'm scared just looking at them.



 Sinead O'Connor Jane Bown I was lucky enough to work alongside Jane for nearly 15 years. This portrait of SinĂ©ad O'Connor really stunned me when she took it and I have it on my wall. Her photographs are always simple and powerful and I love the defiance in this one, where, unusually, the subject isn't looking at the camera. Always preferring to work in black and white, Bown has dominated portraiture for 50 years. Respect.

Look Here for the rest of this article

Wednesday, 1 December 2010

1st December

Great session with ex pupil Emma. Make sure you try out the techniques of bluring and liquifying before you forget.

Make sure you get out and take some snow pics while you have the opportunity. Try putting the SLR on shutter priority to try and capture whole snow flakes. If you can catch a snow balls fight put it on sports mode to get action shots.

Follow this link for a really good guide and ideas on how to shoot in the snow